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![]() This option is there to add extra frames to the beginning and end of each exported audio clip. However, we found that in Resolve 17.2.2, that it was also in the Audio tab as well. In earlier versions of Resolve, this was only in the Advanced Settings of the Video panel and not the Audio Panel even though this relates to audio files. Handles - You can also choose to include handles using the “Add X frame handles” option. However, be aware that muted clips will be exported in the AAF and will no longer be muted so we strongly recommend that you duplicate the project in Resolve and then delete all the muted and disabled clips before you undertake the AAF Export. If you don’t want the sound to play you will need to mute the clip. Disabling a clip, effectively mutes the video in that clip but leaves the audio playing. We have seen reports that disabled clips cause problems in the AAF Export. The same cannot be said for disabled clips on the Resolve timeline. ![]() This means no matter how the video editor organises the channels of audio in the Timeline, all the audio files, muted or not, will be included in the AAF Export. Muted Or Disabled Clips - Each exported file contains every audio channel from the source media, regardless of channels that have been muted in the audio panel of Clip Attributes. We have been unable to establish why this is. When we tested this with Resolve 17.2.2, we found that this option was checked but greyed out. The safest option is to use the default settings and make sure that the Render one track per channel box is checked. If the Render one track per channel box is unchecked, DaVinci Resolve will output multichannel polyphonic. wav file will be exported as six individual mono. With this option, for example, a 5.1 polyphonic. Mono Or Poly WAVs - Exporting mono tracks is the default in Resolve for the Pro Tools preset, with the Render one track per channel box checked in the Audio tab of the Pro Tools Render Setting. QuickTime files created by Final Cut Pro, DPX frame files, and CinemaDNG files are all formats that are capable of containing reel number header data. There are four options and you want Embedding in source clip file: The manual says that this is useful for file formats where the reel number is embedded within the media file itself. File names can only be used for conforming XML or AAF files, or when importing a DaVinci Resolve project. Turning this checkbox off forces DaVinci Resolve to identify clips using file names when conforming XML and AAF projects. This setting must also be turned on if you want to choose different reel name extraction methods for individually selected clips using the Clip Attributes window. When this checkbox is turned on, DaVinci Resolve uses reel numbers when conforming clips to match any imported project. ![]() If this option is greyed out go to Project Settings > General Options > Conform Options and check the Assist using reel names from the: option. ![]() To speed up the process up, select all clips before you do this, so the option is enabled for every audio clip in the timeline. That way the metadata from the location footage should come across in the AAF Export. Apparenty the Pro Tools preset will flatten all the video tracks on the timeline to one single video file, whereas the Avid preset will produce an AAF with all the video clips still on their respective tracks.Įmbedded Source Clip Metadata - Whilst we are in Clip Attributes we recommend that in the Clip Attributes window, select the Name tab and make sure that Embedded Source Clip Metadata is enabled. If you are exporting an AAF for use in Pro Tools you should not export an AAF using the File > Export AAF/XML command, as this will not provide the correct exchange file for Pro Tools, and it won’t work correctly. The Pro Tools Rendering preset has been designed to present the appropriate options for exporting a specifically formatted AAF project file, linked audio files, and a linked reference video file to Pro Tools, or any application capable of importing a Pro Tools formatted AAF file.īlackmagic Design makes it clear in the Resolve manual that when exporting using the Pro Tools preset, users must use the AAF file that’s automatically created and written to the target location because it’s formatted especially for Pro Tools and it contains path names reflecting the rendered clips. It seems that older versions of Resolve and/or other versions of Pro Tools can cause issues. However, we have seen reports that when importing an AAF from Resolve, especially v17, you need to have a very recent version of Pro Tools. We understand that there were further improvements to the AAF Export workflow with the release of Resolve 17. With the release of DaVinci Resolve version 16, Blackmagic Design, the custodians of DaVinci Resolve state that the Pro Tools Export window “has been dramatically improved”. ![]()
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